the exhibition is alive
the exhibition , this human being
! text not finished yet , in bad english .
-the strike the exhibition can react
, protest and strike ( strike in institution exhibition space ) (bangkok
1992 , alliance francaise )(“cruising “-kunstforeningen 1997 )
-the passage , an exhibition is replacing another
one smoothly , sometimes to attenuate the violence the death
of the previous exhibition- death of taking down
. I make a progressive passage (institut francais galerie cph 1993
"decollage d exposition) , in a slow process of transition .
Same process if I give my exhibition away (transmission , moving
exhibition conviviale ) the exhibition cover slowy the previous one , like
archeologic strate
- l exposition est un procédé amical , convivial
-the exhibition is reproductible , and can be multipliable (
photocopie of “impermeable )
--a exhibition can kill another one ,
attention- taker during vernissage of exhibition offensive (galerie
billled huset ) to be able to live
19/sept 1988 , + other moving exhibition de type offensive .
-the exhibition can be asked (charlottenborg ) I can come and ask
for space in case of burning interest of participation , I ask for exhibition
space like an hitchiker (charlottenborg 1989)
- .the exhibition se deroulle ,like a theater- play ,, exhibition in
different act (Krasnapolski be what you want 1989) like a play
-the public make the exhibition , (self critic of the touristic attitude
1990 "what about tourism?" )
the people working in the exhibition space (mmoving exhibition exhibitioniste
by waiter Krasnapolski 1990) .
basically the exhibition can be changing , reacting , jumping , disapearing
folllow the artist mood , the political context , the meetings and last minute
invited guest to participate .
the artist is the owner of the exhibition and can give it away
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the exhibition visibility
should everything be visible to any body passing the exhibition ?
an exhibition for whom ?
who should see what
and in which conditions (hanging ,, consultation ) ?
does the exhibition has to be generous and given out ?
is the exhibition made to promote , demontrate , please ?
is the exhibition a construction project ?
where does the sympathy for the vieuwer come from ?
the exhibition and the self protection ,
the degres of visibillity and consumation of the exhibition ?
From intimate exhibition printed or sewed in the inside of my coats requering
visas
to prime time television ..
the exhibition is visible by very few witnessses or to a large
prime time tv audience .
it is a reflexion about visibility , what should be to shown
to whom?
it is a reflection about the access and about the identity of the vieuwers.
.
Not all art piece should be accessible by everybody ,
on the countrary.
some art work should be shown to the maximum people
and should be packed-presented in an appealling way (entertainment
strategies like humoristic ) or penetration of the mass medias ( prime time
penetration on football matches for exemple ) .
in the middle the researches include the all rainbow about visibility
goodie was a work about making the exhibition extremely visible
and at the time invisible in his totallity .
picked up from the flea market
digg out .found
I took
the silly initiative to make public quelque chose entérré et
caché pendant toute une vie
la reallité est fragmentée eparpilllé et prend la forme
d ' un puzle .
to hide the exhibition (inside pocket ) , the exhibition is shown like
a secret , like a tresor
I also exhibit the witness of my exhibition ( "strategies d' existence
") (passif or actif )
and exhibit vieuwers list of my tv programs as part of my reflexion.
un bon passage télé est un bon passage vieuwer
"can you see me ? "
camoufflage
se cacher se camouffler , mieux se cacher pour envahir
to oblige people to see , in case of public space (se donner à la
vue )
photographe de conférence was an attempt to be visible , but if not
announce and with the right packaging there is no visibility . Il y a des
degrés de travestissement de l' expo
did some body come to visit my exhibition today ?
erotism contre porno
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time
the work is produced and exhibited in a different time agenda .
exhibition ultra fast (stockhoolm 1996+ 3 types of communication depending
of the publlic )
on demand
on necessity (emergency golf war . )
the exhibition can be living at the speed of the media (what you see in the
daily news paper is shown on the exhibition wall the same day
) (other participant are invited to participate in the exhibition ) ( following
the artist mood : strike ) responding to the manifest moving exhibition
semi- bourgeoise
exhibition as a snapshot. a fast- impression
spur of the moment
(an exhibbition is mobile and flexible )
vejle ,, brott
the exhibition can be left to the hasard (Bam ) disponible ,
carry it' s own life .
and has unexpected appearance .in the time
(the exhibition can nearly live on it' s own , the materiel continues it’
s own road , independent like a released child .
stockholm the prolific project wit jeff guess (10 day- august 96 ) (moderna
museet ,svenska dagbladet,
festival hotel room )
ultra rapidity of the showing of the work at the same time in 34spaces ,
34different contexts
different public different presentation different lisibillity simultanement
.
the exhibition carry always some retrospectif element and put the work in
dialog with precvious exhibition .
retard
the suitcase was shown on a 2 years period , for consultation.
unexpected guest ...human circonstance , en fonction des circonstances ..
exposition en 4 actes ....burger king
vernissage finnissage ..... accomplissement , étape d 'accomplissement
,
conclusion chapter after chapter
-----------------------------------------------------------------------------------------------
lisibillity
stockholm the prolifc project wit jeff guess (10 day august 96 ) moderna
museet ,svenska dagbladet,
ultra rapidity of the showing of the work at the same time in 3 spaces ,
3 different context
different public different presentation different lisibility - simultanement
.
consultation ( the suit case )
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motricity of the exhibition
FLYING , floatting runnig , fighting ,pedestrian , on elephant
the exhibition become exploring or invading .
burning exhibition
à chaque type de locomotion son type d' exposition
an energic lecture of the art work
the exhibition cannot die in opposition with the hanging
the exhibition is fluide alive storming rulling .
comble un vide ..(obrist ) completing
invade
the squatting aspect (obrist , charlottenborg , tv mais ,charlotenborg
tv, hiver de l' amour )
comes from a wawe of energie storming (une vague dferlante irresisitible
)
impossible á arrreter .
un besoin debordant
commando action .
the exhibition
it is an attitude
exhibition vagabonde
metro paris
in confrontation with the real life
falling exploding burning (bangkok)) aggressed distryed (izis )sinking ,
linking
barring cutting the road (billledhuset ) controling selecting ,rejecting
welcoming,
sending back home (ici c' est comme à la maison ) refering
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l exposition á droit a l erreur (in the manifeste )
elle ne se complexe pas
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troupe d' exposition
(charlottenborg , sarema biennale ) contrat
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weight size
la condition A4
deplacable ,, prise avec soi (impermeable)
india
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esthetic de l expo
-----------------------------new project ------------------------------------------------------
the shop window
fashion